Monday, March 9, 2026

Music of 2026, #7: ROYAL RATBAGS

 Hailing from the land down under, ROYAL RATBAGS add to the blooming punk rock scene in Australia.  While they have been compared to The Cramps, Idles, and others - - they remind me most of the sound of Devo, especially the vocals . . . . . .


Bio

Royal Ratbags is a compelling curation of feminine force, featuring Alexandra (vocals), Gemma (bass), Barclay (drums), Nic (guitar) and Grace (guitar). Based in the Northern Rivers, the all-female new-wave punk rock band arrived as a newly born “dirty charm” to the Aussie music underground — an electrifying wall of sound driven by charisma, grit and a shared love of musical mischief.




Royal Ratbags - Supermarket Woman


Royal Ratbags - Hesitation

Book Review: WITCHCRAFT FOR WAYWARD GIRLS by Grady Hendrix

WITCHCRAFT FOR WAYWARD GIRLS by Grady Hendrix (Berkley Books, January 2025) Hardcover, 482 pages. ISBN # 9780594548981 / 0593548981 


Synopsis on the Goodreads website . . . . .


Goodreads Choice Award  Winner for Readers' Favorite Horror (2025)


There’s power in a book…


They call them wayward girls. Loose girls. Girls who grew up too fast. And they’re sent to the Wellwood Home in St. Augustine, Florida, where unwed mothers are hidden by their families to have their babies in secret, give them up for adoption, and most important of all, to forget any of it ever happened.



Fifteen-year-old Fern arrives at the home in the sweltering summer of 1970, pregnant, terrified and alone. Under the watchful eye of the stern Miss Wellwood, she meets a dozen other girls in the same predicament. There’s Rose, a hippie who insists she’s going to find a way to keep her baby and escape to a commune. And Zinnia, a budding musician who knows she’s going to go home and marry her baby’s father. And Holly, a wisp of a girl, barely fourteen, mute and pregnant by no-one-knows-who.


Everything the girls eat, every moment of their waking day, and everything they’re allowed to talk about is strictly controlled by adults who claim they know what’s best for them. Then Fern meets a librarian who gives her an occult book about witchcraft, and power is in the hands of the girls for the first time in their lives. But power can destroy as easily as it creates, and it’s never given freely. There’s always a price to be paid…and it’s usually paid in blood.


In Witchcraft for Wayward Girls, the author of How to Sell a Haunted House and The Final Girl Support Group delivers another searing, completely original novel and further cements his status as a “horror master” (NPR).


My FIVE-STAR Review on the Goodreads website . . . . .


As a high school student in the late 1960's, I was familiar with the secretive and protective homes for unwed mothers. I recall several female classmates who just withdrew from school for undisclosed reasons. An attempt was usually made back then to cover up for pregnant teens and if asked, mention an illness (mononucleosis) or moving away for various reasons (caring for an ill relative, etc). After the legality of abortion and changing attitudes brought on the end of these often badly managed homes I had completely forgotten about them. Credit to Hendrix for detailing a part of American History. 


I am a fan of Grady Hendrix and I will read whatever he decides to put out. There are certain things I can expect to find in a Hendrix novel:



1) The writing style. It may alter a bit from story to story but there is always a certain flow and ease to his writing that makes me comfortable reading it, often despite the situations. I can't quite put my finger on it. I just like the way he writes. 


2) Imagination. Hendrix often takes familiar tropes and puts an inventive spin on them that makes me think about them in a different way. I don't recall previously reading witchcraft spells like the ones in this novel. Hendrix also hints at a backdrop/story for witches that goes back centuries and is carried forward by a small inner circle. 


3) Characterization. A strong point of Hendrix. He's able to describe and demonstrate each character's uniqueness and defining traits without exposition or pause within the story, and has an ability to make readers see them and understand them as they are. Even the pregnant teenage girls in this novel seem authentic. 


4) Humor Often, the underlying humor makes some of the more horrific situations a little more palatable. 


Two things occurred during my reading of WITCHCRAFT FOR WAYWARD GIRLS that led me to elevate my rating to Five Stars. 


1) Hendrix actually wrote a novel that is nearly devoid of humor but still managed to engage me. There's nothing funny about the situations in this novel, and to his credit Hendrix does not diminish their impact with comedy. There is a dash of humor in some of the spells that the girls cast, but the humor is ironic in nature. There's really no "ha, ha" moments in this book. 


2) As I read this, I wondered how Hendrix could assume that he understood the female characters, specifically the pregnant teens, in this novel and depict the pain and anxiety of childbirth in such a believable fashion. How could anyone not personally experiencing the birth of their own child turn around and describe it and the emotions/pain/trauma the mother is going through? But, I was convinced he understood. 



This is, in my opinion, the most heartfelt and personal of Hendrix novels and a step forward for him. The author's notes in the afterword reveal how personal the situations were to him as well as how he carefully researched and sought advice. 


Of course this novel will not please everyone. Hendrix does have his detractors, although they should read this novel all the way through before deciding they don't care for his writing. 


i remain impressed. I won't go as far to brand this my favorite Hendrix novel, but I will say it is the most powerful and thought-provoking.

Sunday, March 8, 2026

Video: SINNERS Trailer #2

Definitely worth a second viewing, and I did not regret the time spent. The amount of historical detail is incredible and the scenes are authentic. More than a vampire movie, this is rich historical fiction that has a lot to say about  racism, outcasts, and cults - - and especially the power of music. Definitely deserves all the Academy Award nominations. Not just the best horror movie of 2025 that I saw - - it's one of the best movies, period, of 2025. 



SINNERS - Trailer #2 

SYNOPSIS:

From Ryan Coogler—director of “Black Panther” and “Creed”—and starring Michael B. Jordan comes a new vision of fear: “Sinners.”

Trying to leave their troubled lives behind, twin brothers (Jordan) return to their hometown to start again, only to discover that an even greater evil is waiting to welcome them back. “You keep dancing with the devil, one day he’s gonna follow you home.” Written and directed by Academy Award-nominated filmmaker Coogler, “Sinners” stars Jordan in a dual role, joined by Oscar nominee Hailee Steinfeld, Jack O’Connell, Wunmi Mosaku , Jayme Lawson, Omar Miller, Miles Caton, and Delroy Lindo. 



MY WEEK IN COMICS - - - MARCH 08, 2026


#111 =  THE PUNISHER #1 by Benjamin Percy and Jose Luis Soares (Marvel Comics, April 2026)  I don’t know that I need more PUNISHER comics in my reading, but I wanted to pick this up and check it out based on the new creative team - - mainly Benjamin Percy, a comics writer I admire and also a novelist of many genres (horror, thriller, crime, science-fiction). 



I was not disappointed by this debut issue, which picks right up following events in PUNISHER: RED BAND. It’s not necessary to read that first because this story refers back to the main takeaways from that mini-series:


 1) Frank Castle is weakened and disturbed by a device that Kingpin implanted in his brain. It kicks in and immobilizes him at inconvenient times. 


2)  With the Kingpin out of the way, a new character makes plans and takes action to become the new kingpin of Hell’s Kitchen - - Jigsaw.


He’s trying to persuade the imprisoned Tombstone to sign over his assets to Jigsaw. 


Frank returns to his long-time ally Microchip to help him get the chip out of his brain. Meanwhile, a persistent investigative reporter is positive that The Punisher is back in town but can’t persuade her news editor to give her the green light to write the story.


My favorite scene is when a mugger steps into an alley that Frank Castle was wandering, fires two rounds at his feet, and says “Hey, man. . . . You see what I got? . . . (blam, blam) . . . That’s what I got . . . Now what do you got? Empty your pockets.”  You can just imagine the next panel without me describing it to you. The Punisher is always packing.


   The art compliments the gritty, dirty feel of the story. FOUR STARS.




@112-#113 =  BLACK PANTHER 60TH ANNIVERSARY SPECIAL by writers Evan Narcisse, Cody Ziglar, Murex Ayodele, and Priest; artists George Jeanty, Alitha E. Martinez, Eder Messias, and Javier Pina (Marvel Comics, April 2026) If only all over-sized tribute issues (be it 25, 50, 60, 75 years etc) would be more like this one. I’m used to big tribute issues containing one new originals story with the rest padded with classic reprints and filler. I normally pass over these specials, but not this time.


Each of these separate flashback/memoir stories has a common element running through them: former NYPD office Kevin Cole - now a member of the Wakanda Hatut Zeraze Security Division is tasked with trying to locate the whereabouts of the missing T’Challa/Black Panther as he’s expected to participate in an annual ceremony honoring his deceased father. He seeks out and interviews anyone who may have been the last to see T’Challa, hoping the trial will lead to him.


 His journey takes him to visit an old friend from student days, to the undersea base of Blue Marvel, to Storm’s sanctuary in Atlanta, to X-Men HQ in Alaska and a meeting with Magneto - - who finally puts him on the right path - - but it remains to be seen whether T’Challa will come out of seclusion.


   The quality of both story and art in each of these vignettes is first class, Each story focuses on a particular attribute/memory of the Black Panther, which get to the root of what makes the character stand out. FOUR STARS. 




#114 =  MARVEL TEAM-UP #14 FASCIMILE by Robert Kirkman and Cory Walker (Image Comics, March 2026 - originally published 2006) Somehow I missed this the first time around, but that McFarlane cover got my attention and made this an easy impulse buy. Glad I got a chance to read this. It’s amusing and light-hearted in a non-silly way.


    One of Invicible’s foes has forced him to keep passing through dimensional portals and visiting other universes, trying to break him down. He ends up in Spider-Man’s timeline just in time to stop Doctor Octopus from putting a nasty hit on Peter Parker/Spider-Man.


   Instead of fighting each other, as happens so often in these publisher cross-overs, the two become friends and Invicible joins the hunt for Doctor Octopus. 


   The story occurs sometime between Issues #32 and #33 of INVINCIBLE. Don’t ask me where this fits into the Spider-Man universe - - just put it somewhere in 2006. THREE AND ONE-HALF STARS.



#115 =  BATMAN #7 by Matt Fraction and Jorge Jimenez (DC Comics, April 2026) I didn’t find anything in the debut issue of Matt Fraction’s BATMAN to convince me to subscribe to the title. However, the split image of Joker/Batman on this cover persuaded me to take another look.  I loved this story.


   This doesn’t really have any action scenes. Instead, it’s a long conversation between Batman and The Joker where the power/impact is in the story-telling. 


   The Joker is confined to Arkham Towers and is the patient of Dr, Zeller. He’s isolated in a float tank and intubated for nutrients and oxygen. Cranial implants convert his thoughts to speech and transmit external sounds to him.  He asked for a conference with Batman.


    Batman of course is very suspicious of security and warns the doctor to take precautions. She is very protective of her patient and has put safeguards in place (floor sensors). Things seem over-the-top excessive when she warns Batman that she will be holding a kill switch the entire time he is in the room with Joker. Step outside the lines and you die. 


   It’s a fascinating conversation spotlighted by a foldout montage of images from the Joker's memory that spans across four pages.  As their time ends, Batman receives a cautionary message from Joker. FOUR STARS.



#116-#117 =  HELLBLAZER: RISE AND FALL #1 of 3 by Tom Taylor and Darick Robertson (DC Comics/Black Label, November 2020) 

 This is the wise-cracking, irreverent but still effective when it counts John Constantine that I remember. Tom Taylor gets to the root of the character and puts his own stamp on things. It’s an absolute bonus to find the always expressive art of Darick Robertson to compliment the story. The magazine-sized prestige format with bigger panels is much appreciated. 


   Ultra-rich elites and business men are falling out of the sky and dying in gruesome ways, always with Angel Wings attached to their back.  Constantine discovers a link between these weird murders and a critical moment in his youth. To make things more complicated the detective working with Constantine, Aisha Bukhari, is a childhood friend also connected to the incident.


   The promotional hook on the back cover says it perfectly: :With a nation tearing itself apart and the irredeemable one percent falling from the sky, will John Constantine lift a finger?

   If so, which finger?”


  It’s cool to get a glimpse into the early days of Constantine, which were far from ideal. Also, Taylor and Robertson sneak in some Easter eggs to pay homage to previous Hellblazer creators. The doctor delivering the baby John Constantine  is Dr. Delano (after Hellblazer writer Jamie Delano). Another scene takes place in a pub called The Dillon (after Hellblazer artist Steve Dillon). FOUR STARS.  



#118-#119 =  HELLBLAZER: RISE AND FALL #2 of 3 by Tom Taylor and Darick Robertson (DC Comics/Black Label, January 2021)

    The promotional synopsis: “John Constantine has been in trouble before, but running afoul of the Devil himself is crossing a line even for the self-styled Hellblazer. But that’s exactly who darkens Constantine’s door with news that John’s investigation into the gruesome ‘angel murders’ of London’s billionaire class and Satan’s own vendetta against a treacherous demon are actually the same mission. What’s that mean? You guessed it: It’s time for a team up?”


  Before they team up there’s a long-winded discussion (last issue) that takes place in a pub, well into the early morning hours when everyone is blind drunk. When Constantine wakes up in bed next to Satan, he assumes the worst has happened.(It didn’t - the Devil has “higher standards”. 


Turns out the childhood incident, when an 11-year old Constantine tried to pull off a spell and show off in front of his friends, resulted in one of them (Billy) being drowned. Except it also released a demon from Hell, Despondo, who possessed the dead kid. He fed on anguish, grief, and loss and waited until he was strong enough to return to Hell and rip Satan’s wings off, fleeing back to Earth and beginning the murders - - all to get the attention of Constantine and his friend detective Aisha. THREE AND ONE-HALF STARS.



#120-#121 =  HELLBLAZER: RISE AND FALL #3 of 3 by Tom Taylor and Darick Robertson (DC Comics/Black Label, March 2021)

I’m no expert on Constantine/Hellblazer, but I think this series will please the long-term diehard Hellblazer fans - -  although the somewhat happy but bittersweet ending might put them off.


   It’s the final issue in this story arc, and little dead Billy possessed by the demon Despondo turns out to be a truly unlikable, despicable villain. He makes Satan, who teamed up with Constantine to bring him down, look like a nice guy.


   Billy created a con game to grab money from the rich and promise them fake salvation - - which ends up being their falling from the sky on the broken wings of Satan, usually bloody, naked, and embarrassing.


    If you’ve never read Hellblazer before but are curious, this is a perfect starting point. You’ll get enough of the back story to understand the premise, but it never gets in the way of the current story. Also, Constantine reveals himself through his actions, cynical and sly observations, and interactions with the other characters.  


  I would welcome more of Constantine at the hands of these same creators. Robertson is a perfect choice for this big-panel art. FOUR STARS.